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作 者:高明明
机构地区:[1]贵州大学建筑与城市规划学院
出 处:《建筑与文化》2018年第1期121-122,共2页Architecture & Culture
摘 要:布里昂家族墓园是一个建筑史上最为人称道的诗意作品,也是建筑诗人卡洛·斯卡帕的代表作。人们总是叹服其诗意弥漫却未能解其真意。诗意的不可读性困惑着学界,也令其在当代诗意建筑的构建中痛失有力参照。为此,文章力图对该作品的诗意来源进行解析,通过对建筑诗学和美学里诗意特点的追索,结合建筑现象学和符号学的相关理论得出结论:斯卡帕是通过营造场所感、调动感官、运用多重隐喻和反差等手法构建了建筑的诗意。Brion Cemetery is the most acclaimed poetic work in Architectural history, it' s also the magnum opus of Carlo Scarpa. People always marvel at its poetic quality but don' t understand its intendment. The abstrusity of the poetic quality confuses the industry and make it lose a powerful reference in contemporary poetic Architecture building. Thereby, this paper intends to analyze the source of poetic quality of the cemetery by searching fer poetic characteristics in Architectural Poetics and Aesthetics, combining with related theories in Architecture Phenomenology and Semielogy. It comes to a conclusion that Scarpa builds its poetic quality by building place sense, deploying senses, using multiple metaphors and contrasts,
分 类 号:TU251.2[建筑科学—建筑设计及理论]
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