电视节目中的男权话语——以电视节目主持人性别比和影视剧为例  

On Patriarchy Discourse in TV Programs——A Case Study of Gender Ratio of TV Hosts and Films and TV Plays

作　　者：邓志文[1] 

机构地区：[1]湖北科技学院文传学院,湖北咸宁437000

出　　处：《内江师范学院学报》2018年第1期124-128,共5页Journal of Neijiang Normal University

基　　金：湖北科技学院2016年博士科研基金启动项目"电视文化与男性霸权"研究成果(BK1501)

摘　　要：作为一种文化过程,电视的意识形态性使其自身成为社会意义的"合法"承载体。在男权社会体制下,男权话语也理所当然地成为电视的社会意义的一部分,在被自然化和常规化之后,它极具隐蔽性。虽然男权主义不是赤裸裸地存在于人们的视野之中,但在电视综艺节目和影视剧中,依然存在男权主义的踪迹。具体来说,影视剧在内容、情节、角色、主题、策略等的设置上的尊男抑女,以及节目主持人、栏目嘉宾和评委嘉宾在男女比例上的失衡(男多于女)构成了电视文化中男权主义的外在表现。As a kind of culture,the TV’s ideology makes TV become a legal carrier of social meaning.In patriarchy system,the patriarchy discourse,of course,has become a part of the TV’s social meaning.After naturalization and routinization,it is highly disguised.Though the patriarchy does not exist in people’s horizon nakedly,we can catch some traces of such patriarchy hiding behind the TV culture through analysis of TV entertainment programs and films and TV plays.Specifically,the men’s superiority to women in the setting of content,plot,roles,themes and strategies of films and TV plays,and unbalance of gender ratio of TV hosts,honored guests and raters,both are the external expression of patriarchy in TV culture.

关 键 词：男权主义 男性叙事 电视娱乐节目 影视剧 男女比例 

分 类 号：J905[艺术—电影电视艺术]