新疆经验、苏联文学影响与“意识流”小说——重读王蒙小说《歌神》  

The Novel of Xinjiang Experience, Soviet Literature influence and “Stream of Consciousness”——Rereading Wang Meng's novel “Song God”

作　　者：王玉[1] 

机构地区：[1]新疆师范大学文学院,新疆乌鲁木齐830054

出　　处：《伊犁师范学院学报（社会科学版）》2017年第4期69-75,共7页Journal of Yili Normal University

基　　金：国家社科基金项目"当代文学在新疆的跨语际传播与中亚影响研究"(17XZW045)的中期成果;新疆师范大学自治区文科基地西域文史中心项目"当代小说在新疆的跨语际传播与接受研究"(XJEDU040216C04)的中期成果

摘　　要：创作于1978年的小说《歌神》写的是新疆伊犁的故事。小说用大量笔墨描写歌声,其中包含着作者在1978年北京所感受到的情绪体验。小说风格上追随苏联作家艾特玛托夫的小说,不完全是写实的,形成"心理主题",与之后的意识流小说有异曲同工之处。通过对小说的细读,辨析其中的新疆经验、苏联文学与意识流小说之间的联系,揭示不同历史时期的话语对作家的裹挟,以及作家身在其中的顺应和选择,从而形成观察和认识当代的文学与政治、作家与时代之间关系的一个具体角度。The novel Song God, written in Xinjiang Yili in 1978, describes the singing with a large amount of ink, which contains the emotional experience of the author in Beijing in 1978. The novel style follows the novel written by Soviet writer Aitmatov, which is not entirely realistic, forming＂psychological theme＂, which is similar to the stream of consciousness novels. Through a close reading of the novel, analyze the Relationship between of the experience of Xinjiang, Soviet literature and the stream of consciousness novels reveal the political discourse of different historical periods to stick to writer, and the adaptation and choice of the writer in it, so as to form a specific point of observation and understanding of the relationship between the contemporary literary and political, writers and times.

关 键 词：王蒙小说 歌神 苏联文学 “意识流”小说 

分 类 号：I207.42[文学—中国文学]