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作 者:吴海伦[1]
机构地区:[1]中南民族大学管理学院
出 处:《思想战线》2018年第1期148-154,共7页Thinking
基 金:国家社会科学基金项目"民族村寨旅游可持续发展的动力机制研究"阶段性成果(15BMZ053);湖北省社会科学基金一般项目"中国古典美学范畴‘观’的研究"阶段性成果(BSY16018)
摘 要:旅游审美的城乡二元结构是指旅游主体的审美居于城市与乡村之间,在城乡之间回环往复。与经济学意义上的城乡二元经济结构、社会学意义上的城乡二元社会结构不同,旅游审美的城乡二元结构,是从旅游审美的角度,研究城市审美与乡村审美的并置与融合。沿袭文化的传统以及旅游业发展的现状,探讨旅游审美的城乡二元并置,主要是居于城市回望乡村,居于乡野渴望城市;而对城乡二元融合的旅游审美探讨,则着眼于旅游审美中的城乡审美的共同特征,研究其审美的理想归宿,这种理想归宿的获得,必须诉诸于城乡家园感的营造。在这里自然、文化、生命、情感融合为一,如此,旅游者才可以自如地体验到乐游与游乐的生活愉悦,这也是旅游审美在城乡二元结构中具体运用的实际意义所在。The urban-rural dual structure related to tourism aesthetics refers to the fact that the aesthetic experience of tourists alternates between the city and the countryside. Different from economic or social urban-rural dual structure, tourism urban-rural dual structure studies the juxtaposition and integration of urban aesthetics and rural aesthetics from the perspective of tourism aesthetics. Taking in- to account the cultural tradition and the current development of tourism, the paper explores aesthetic juxtaposition by focusing on city people's nostalgia for rural life and rural people's yearning for city life and discusses aesthetic integration by examining the common characteristics of urban and rural tourism aesthetics. The paper attempts to find an ideal destination for tourism aesthetics and holds that the des- tination should give a homelike feeling to both the city people and the rural residents and bring into harmony nature, culture, life and feelings. Only when such a destination is reached will tourists truly like to travel and experience the pleasure of traveling. That is where tourism aesthetics proves its value of application in the urban-rural dual structure.
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