论迟子建作品的生态女性主义意蕴  

On the Eco-Feminist Implication of Chi Zijian's Works

作　　者：张岚 

机构地区：[1]浙江海洋大学人文学院、教师教育学院,浙江舟山316022

出　　处：《浙江海洋大学学报（人文科学版）》2017年第5期56-62,共7页Journal of Zhejiang Ocean University(Humanities Sciences)

摘　　要：中国的生态女性主义文学融合了西方生态女性主义话语,也渗透了传统文化中"天人合一"的朴素生态理念。迟子建的创作既有着根植于故土的少数民族萨满文化的影响和汉文化中儒释道思想的辐射,同时又与西方生态女性主义达成了某种默契。她的作品所表现的万物有灵的生态整体观,女性生命与大自然节律的合拍互动,男女两性和谐的性别生态构建,以及顺应自然的生死轮回的生命态度,使她的创作突破了女性主义文学的局限,以开阔的胸襟构建了一座男女两性和谐一体、人类与自然和谐共生的诗意栖居的家园。Chinese Eco-feminism not only merges together the western Eco-feminism, but also permeates the plain ecological idea of ＂Integral Part of Man and Nature＂in Chinese traditional culture. Chi Zijian＇s creations are influenced both by the native Minority Shaman culture rooted in the homeland and the radiation of Han culture of Confucianism, Buddhism and Taoism, and at the same time, it, in a certain sense, reaches a tacit understanding of the Western Eco-feminism. All her works have the spirit of ecological holism, harmonious interaction between female life and nature rhythm and gender ecological construction between the two sexes as well as the life attitude to the natural cycle of birth and death, which is conforming to nature. Her creations break through the limitation of feminism literature, opening the broad mind and constructing a poetic dwelling homes with the natural harmonious coexistence of bisexual harmony in an organic whole.

关 键 词：迟子建 生态女性主义 万物有灵 两性和谐 生死轮回 

分 类 号：I207.42[文学—中国文学]