中国当代诗歌空间中的中心与边缘  

The Center and Margin in the Space of Modern Chinese Poetry

作　　者：郝琳[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《河南大学学报（社会科学版）》2018年第1期131-136,共6页Journal of Henan University(Social Sciences）

摘　　要：中国当代诗歌的边缘性可以从世界诗歌与中国诗歌、古典诗歌与现代诗歌、文学与诗歌三个维度来考察。不论在哪个年代,不论我们的考察视域有多大,也不论冲突双方的身份是什么,中国当代诗歌空间中所发生的历次论争的本质皆是各种文学力量在三个维度中的冲撞与角逐,从而引发由"边缘"向"中心"的运动。这种运动不仅具有方向性,而且具有历史循环性。同时,所谓"循环"也并非无意义的历史事件重演,而是能够让诗人和学者们在历史洪流中不断反思、批判和自省,最终以时代的精神重建完善的诗歌标准与传统。The marginal characteristics of the modern Chinese poetry can be investigated from three dimensions,which are Chinese poetry and world poetry,classical poetry and modern poetry as well as literature and poetry.Meanwhile,from reviewing the arguments that are important in the history of the modern Chinese poetry,we would notice that the essence of the arguments is indeed the rush and the fight between various literary powers in the three dimensions.This leads to the motion ofmargin to the center＂.When we look at the Chinese poetry from this dynamic perspective,it would be clear that the motion is not only directional,but also recyclable in history.This historical circulation is of great significance that it could let the poets and critics keep on rethinking and reconstruct the poetry standards with the spirit of the age.

关 键 词：中国当代诗歌 边缘性 诗歌论争 诗歌标准 

分 类 号：I206.7[文学—中国文学]