乌托邦抑或反乌托邦?——论维·佩列文小说《S.N.U.F.F》的文体之争  

Utopia or Anti-utopia―A Dispute on the Style of Victor Pelevin's Novel S.N.U.F.F.

作　　者：朱涛[1] 

机构地区：[1]华南师范大学外国语言文化学院

出　　处：《俄罗斯文艺》2018年第1期47-53,共7页Russian Literature & Arts

基　　金：国家社会科学基金重大项目"当代俄罗斯文艺形势与未来发展研究"(13&ZD126);广东省高等学校优秀青年教师培养项目"当代俄罗斯文学在其本土的接受及启示"(S8052408);华南师范大学外国语言文化学院高水平大学建设项目"当代俄罗斯语言文化生态研究"(16WW009)的阶段性成果

摘　　要：俄罗斯当代作家维·佩列文在近作《S.N.U.F.F》中描绘了一幅既真实又虚幻,既美好又可怖的未来世界图景。他在这部作品中大胆突破传统乌托邦与反乌托邦小说惯有的表现手法,有意识地模糊两者之间的界限,从而有效地吸纳了两种体裁的优点,最大程度地将读者的注意力聚焦于现实及其背后的种种悖论与荒诞,使得作品充盈着虚与实、善与恶的张力。Contemporary Russian writer Victor Pelevin portrayed a real and unreal, beautiful and terrible picture of the future world in his recent novel S.N.U.F.F., in which the writer boldly breaks through the traditional expression techniques of utopian and anti-utopian novels, consciously blum the boundary between them, effectively absorbs the advantages of both genres, and maximizes the reader＇ s attention focused on the reality and various paradoxes and absurdities behind it, thus endowing the work with the tension between virtual and real, and between good and evil.

关 键 词：维·佩列文《S.N.U F.F》乌托邦反乌托邦 

分 类 号：I512.074[文学—其他各国文学]