少数民族音乐在电视歌唱综艺节目中的参与及影响  

The Participation and Influence of Music in TV Singing Variety Show

作　　者：刘明星[1] LIU Ming-xin(College of Music, Shanxi Normal University, Linfen, Shanxi 041004, China)

机构地区：[1]山西师范大学音乐学院,山西临汾041004

出　　处：《贵州民族研究》2017年第12期89-93,共5页Guizhou Ethnic Studies

基　　金：2017年山西省"高等学校大学生创新创业训练计划项目"的阶段性成果

摘　　要：在市场竞争与政策的双重倒逼下,如何"集成创新",打造"既有意思又有意义"的原创节目,成为衡量一个上星卫视活力的核心指标。面对激烈的市场竞争,为获得收视与口碑的双丰收,不少媒体将眼光投注于少数民族音乐中所蕴含的巨大能量,攫取这些尚未被开采的歌唱表演内容作为节目创意资源。在短短几年内,少数民族音乐元素在歌唱综艺节目中经历了一个从"自发"到"自觉"的阶段,体现了中国电视人在电视歌唱综艺节目创新过程中孜孜不倦的探索。在传播语境中,体现了市场规律、媒介政策与媒介产品生产与传播过程的同构。With the dual force of market competitions and policies, how to ＂integrate innovations＂ and make original programs that are ＂both funny and meaningful＂ with wisdom becomes a core index to measure the energy of satellite TVs. Facing with fierce market competitions, to obtain achievements in both rating and public praise, quite a few media have put an eye on the huge energy embodied in the minority music, and the unproductive signing and performances are adopted to be the creative resources of programs. Within a few years, minority music has enormously emerged in singing variety shows, experiencing a stage from ＂spontaneity＂ to ＂self-consciousness＂, and embodies the tireless exploration of Chinese TV personnel during the innovation processes of singing variety shows. In communicative context, it embodies the isomorphism of production and spreading processes of market disciplines, media policies and products.

关 键 词：原创 歌唱综艺 综艺节目模式 少数民族音乐 

分 类 号：J607[艺术—音乐]