毛南族民歌的美学内蕴与艺术传承  

The Aesthetic Connotation and Artistic Inheritance of Maonan Folk Songs

作　　者：王鹤[1] WANG He(Shaanxi Normal University, Xi＇an, Shaanxi 710119, China)

机构地区：[1]陕西师范大学音乐学院,陕西西安710119

出　　处：《贵州民族研究》2017年第12期118-121,共4页Guizhou Ethnic Studies

摘　　要：民歌文化折射出民族历史和文化的传承与发展,是特定历史背景下的人民生活写照。毛南族民歌是毛南族音乐的重要组成部分,反映了毛南族历史的发展轨迹,展现了毛南族人民的文化特色和思想观念,对于了解毛南族人民生活风俗、民情观念有重要价值。在此以毛南族民歌为例,借助民族音乐和美学分析的理论对毛南族民歌进行深入探究,对其民歌中的美学内蕴进行系统的梳理。Folk song is the mirror of the national history and culture. In different historical background it reflects the nation of the specific cultural heritage and state of life. Maonan folk song is an important part of ethnic music. It reflects the development of Maonan nationality history and shows the culture and ideology. It also has important research value for life custom and public sentiment. This paper studies Maonan folk song in depth by the theory of national music and aesthetic analysis. It also arranges aesthetic connotation of Maonan folk song.

关 键 词：毛南族 民歌 美学内蕴 艺术传承 

分 类 号：J607.76[艺术—音乐]