传播学视角解读热映影片《战狼Ⅱ》  

An Interpretation of War Wolf Ⅱ as a Box-Office Hit from the Perspective of Communication

作　　者：袁文卓 

机构地区：[1]南京大学中国新文学研究中心,江苏南京210023

出　　处：《海南大学学报（人文社会科学版）》2018年第1期155-160,共6页Journal of Hainan University （Humanities & Social Sciences）

基　　金：教育部人文社会科学重点研究基地重大项目(16JJD750019);江苏省社科基金重点项目(13ZWA001)

摘　　要：从受众理论与议程设置功能等传播学视角,对近期热映影片《战狼Ⅱ》进行多维解读,指出该片在类型题材的突破、演职人员的选取乃至影片本身的精良制作等方面,都具有创新和探索精神。《战狼Ⅱ》的成功,对中国电影乃至华语影坛而言无疑是一次巨大的鼓舞,它标志着中国电影已由之前的亦步亦趋,进而向内转为探索适合本国特色的发展历程,中国电影也正以愈发自信的姿态走向世界。From the perspective of communication, particularly the audience theory and agenda-setting function, War Wolf H, a recent box-office hit, is interpreted in the multiple dimensions. It is pointed out that this movie displays the spirit of innovation and exploration in terms of its breakthrough of genre, selection of cast members and even excellent production of the movie itself. The success in this movie undoubtedly boosts the Chinese mov- ie, and even the Chinese-language film industry, which symbolizes the transforming evolution of Chinese movie from the earlier imitation and pursuit of foreign movies to the inward exploration into Chinese characteristics and hence the Chinese movies＇ confidence in walking towards the world.

关 键 词：吴京 《战狼Ⅱ》 受众 议程设置 中国电影 

分 类 号：I207.351[文学—中国文学]