格里格:“北欧的斯诺”及其眼里的梅兰芳与中国戏曲  

Grieg:Snow in Northern Europe and Mei Lanfang and Chinese Opera in His Eyes

作　　者：刘祯[1] 

机构地区：[1]中国艺术研究院,北京100029

出　　处：《艺术百家》2017年第6期26-32,共7页Hundred Schools In Arts

摘　　要：挪威文《梅兰芳》的作者诺达尔·格里格(Nordahl Grieg,1902-1943)在挪威是一个响亮的名字。他出生于卑尔根,挪威文学史称他为"卑尔根诗人"。格里格对中国人民怀有深厚的感情,被萧乾誉为"北欧的斯诺"。格里格笔下的北平文化,特别是独具东方特色的京剧文化无疑是别开生面的,格里格以西方人的幽默感,看到了中国剧场文化的特征。在特定的文化氛围中,戏曲文化经千年的演变发展,有其厚重的历史积淀,因而格里格对中国舞台是心存敬仰的。他对京剧角色出场的详细描绘可以见出他的艺术欣赏和感悟力。也注意到了中国戏曲"技艺上的准确性"。格里格对梅兰芳充满了钦佩,格里格对梅兰芳表演所构筑的艺术世界,通过现场的体验来领会,又对其做了生动细腻的现象学描述,从而激活读者的艺术感受。格里格的《梅兰芳》有它的文献价值,无论是挪威人还是中国人,都能从字里行间的描述中感受到九十年前梅兰芳演出的真实场景。但同时,这篇文章也留给我们许多疑问和谜团。Nordahl Grieg who has written Mei Lanfang is a poet and was praised as Snow in northern Europe. Beiping culture especially peculiarly distinctive Peking Opera written by Grieg is undoubtedly fresh. He discovered the feature of Chinese theatre culture and he admired this. He also explicitly depicted the appearance of characters from which we could feel his artistic appreciation ability. He admired Mei Lanfang very much and apprehended the art world through his performing. His lively and explicit phenomenological depiction inspired the readers＇art sense. Mei Lanfang has its literature value and also left several puzzles.

关 键 词：戏曲艺术 格里格 挪威 中国 《梅兰芳》 京剧 剧场文化 戏剧特征 

分 类 号：J80[艺术—戏剧戏曲]