仪式向文本的过渡--春秋赋诗的诗学传播价值  

The Transition from Ritual to Text: The Value of Poetics of Verse Composison in the Spring and Autumn Period

作　　者：刘彦青[1] 张新科[2] 

机构地区：[1]陕西师范大学文学院 [2]陕西师范大学

出　　处：《文艺理论研究》2018年第1期80-88,共9页Theoretical Studies in Literature and Art

基　　金：“中央高校基本科研业务费专项资金资助”[项目编号：2016CBZ014]阶段性成果~~

摘　　要：在西周时期诗与乐舞结合起来,成为仪式的重要组成部分。这一时期诗的传播呈现仪式的一致性。由西周仪式中歌诗发展到春秋时期的赋诗,诗的仪式性逐渐淡化,文本意义逐渐凸显。诗的传播经历了由重仪式到重文本的转变过程。在春秋赋诗中,诗仪式一致性逐渐解体,而文本的一致性尚未产生。这导致了关于诗文本意义的多义性解读,从而使得诗所承载的西周宗法观念与文德武功思想面临传承上的断裂危险,恰恰是赋诗中遵循的"赋诗观志""歌诗必类"等原则,暂时承担了文化传承的责任。直至孔、孟为代表的儒家对诗文本进行经典化阐释,诗变为《诗经》,形成了诗的文本一致性,保障了中华文化的一致性传承。In the Western Zhou Dynasty,poetry,music and dance were combined to become an important part of rituals. The spreading of poetry in this period is consistent with rituals. The rituality of poetry gradually faded and its textual value grew as poetry in the Western Zhou ceremony became verse in the Spring and Autumn period. The spreading of poetry shifted from rituality to textuality. In Spring and Autumn poetry,the consistency between poetry and ceremony began to disintegrate,but the consistency between poetry and text had not yet emerged. This situation led to multiple interpretations to the meaning of the texts of poetry; therefore,the inheritance of Western Zhou patriarchal thought,ethics and governance as carried by poetry might be endangered. It is thought such as ＂poetry as an expression of intent＂and＂songs and poems as an expression true meaning＂that takes on the responsibility of cultural inheritance. In the classical interpretations to texts of poetry by Confucianists as represented by Confucius and Mencius,poetry was textualized into Shijing,known as Book of Songs,the consistency between poetry and texts was formally established,thus facilitating cultural inheritance.

关 键 词：《诗经》 仪式 文本 春秋赋诗 经典阐释 

分 类 号：I207.22[文学—中国文学]