正确地评估中国话剧以及戏曲和话剧的关系  

On the Evaluation of Chinese Modern Drama and the Relationship between Chinese Xiqu and Modern Drama

作　　者：田本相[1] 

机构地区：[1]中国艺术研究院

出　　处：《戏剧艺术》2018年第1期123-129,共7页Theatre Arts

摘　　要：在纪念中国话剧110周年之际,傅谨同志的《20世纪中国戏剧史》(以下简称《戏剧史》)出版了。2017年6月9日的《北京青年报》就《戏剧史》对傅谨进行了专访,发表了《20世纪中国戏剧,我们弄错了太多》(以下简称《专访》)。本文所要讨论的不是对《戏剧史》的整体评价,而是就《专访》并结合《戏剧史》的论述中所提出的,中国话剧的起点问题、戏曲和话剧的关系、戏曲主流论以及如何正确评估中国话剧成就的问题进行商榷。This year marks the 110th anniversary of Chinese modern drama and the publishing of Fu Jin＇s A History of Chinese Theatre in the Twentieth Century. On June 9th, 2017, Beijing Youth Daily published, ＂Twentieth Century Chinese Theatre, Our Many Misunderstandings,＂ an interview with Fu Jin on the publication of his book. Instead of offering an overall evaluation of Fu＇s A History, this article refers to both the interview and A History to discuss the starting point of Chinese modem drama, the relationship between Chinese Xiqu and modem drama, the theories of mainstream Xiqu, and the evaluation of Chinese modem drama.

关 键 词：话剧诞生 话剧与戏曲 戏曲主流 话剧的成就 

分 类 号：J80[艺术—戏剧戏曲]