平湖派琵琶艺术风格的形成及特征  

On Characteristics of Pipa Art of Pinghu School in Zhejiang

作　　者：赵瑾[1] ZHAO Jin

机构地区：[1]浙江艺术职业学院音乐系

出　　处：《浙江艺术职业学院学报》2017年第3期93-99,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：平湖派琵琶艺术兴起的标志是1895年《南北派十三大套琵琶新谱》的编著。在平湖派孕育初始,李氏五代所在的地域特征、社会环境以及家庭氛围等使得平湖派文人音乐的风格特征得以初现端倪。文人艺术的品格与特征在平湖派的经典作品中非常突出。平湖派琵琶艺术有着一些特有的琵琶技法,使得它的作品旋律风格与民间音乐有很大的区别,具有特殊的韵味。The sign of the rise of Pipa art of Pinghu School is the publishing of Thirteen Pipa Scores of North and South school. In the beginning of Pinghu School,the geographical characteristics,social environment and the family atmosphere of the five generations of Li＇s family formed the style characteristics of Pinghu School music. The character and characteristics of literati art are very prominent in the classic works of Pinghu School. Pipa art of Pinghu School has some unique techniques so that the melody style of its works is very different from folk music,and has a special charm.

关 键 词：琵琶 平湖派 李芳园 文人音乐 

分 类 号：J632.33[艺术—音乐]