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作 者:钟书林[1]
出 处:《中国文学研究》2018年第1期46-54,共9页Research of Chinese Literature
基 金:教育部人文社科规划项目"五至十一世纪敦煌作家作品整理与研究"(12YJA751086);武汉大学青年学者学术团队建设计划(Whu2016005)
摘 要:自敦煌藏经洞发现以来敦煌文学颇受世人关注,对其文学特质的认识也形成一些共识,但远非其全貌。汉代以降敦煌文学长期发展中形成独特的文人作家群体、异域文体的独特风貌,其作品文体类别新异于中原,作品文体界限模糊。敦煌本土文学在与中原文学的互动交流中,与时俯仰,彰显本色,既不完全同步地追随中原政治与文学的发展步伐,也不紧随中原政治与文学的繁盛、衰枯,而亦步亦趋,它有着自身的独立性和完整性。The research of Dunhuang literature was paid more attentions since the Dunhuang manuscripts were found. The researchcrs had formed some consensus, however, it's far from complete. Dunhuang literature had formed a unique group of writers and some uther the unique style during the long period of development since Han Dynasty. The style of writing is quite different from that in the Central Plains literature, and the stylistic boundaries are blurred. During the interaction between Dunhuang native literature and the literature of central plains, the Dunhuang native literature had hold its own independence all the time.
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