城市化与新时期文学中的“游荡者”  

On Urbanization and the “Wanderer” in the New Period Literature

作　　者：王志谋 

机构地区：[1]兴义民族师范学院文学与传媒学院,贵州兴义562400

出　　处：《湖南工业大学学报（社会科学版）》2018年第1期68-74,共7页Journal of Hunan University of Technology(Social Science Edition)

基　　金：贵州省社科规划课题"新时期小说中的‘游荡者’研究"(15GZYB63)

摘　　要：从物质、制度到行为方式与文化价值观念层面,城市文化都呈现出一种集中与理性化的特征,这一特征压抑了人的感性生存。城市又提供了挑逗感性的多种商业化物质形式,游荡者应运而生。游荡者代表了人类追求感性的一极在城市化内在的理性化规约下力图保持艺术化生存方式的种种尝试,因而成为考察现代性的一个特殊视角。当代中国城市化的快速发展及思想观念的剧变提供了中国式游荡者群体生成与壮大的条件,后者也由此成为了当代中国现代性的一个缩影。中国当代文学中的游荡者以其时代及精神特质的不同,大致可分为20世纪80年代的主体性游荡者与20世纪90年代以来主体性崩解后的游荡者两大类。其中,前者又有反叛型与游戏型之分,后者有寻找型与推销型之别。这些现代化进程中的异端形象以其思想观念、行为方式与价值追寻等的特殊性,勾勒出了当代中国城市化进程中审美性生存的发展轨迹。From the aspects of matter,system,behavior and cultural values,urban culture presents a feature of centralization and rationalization,which depressed human＇s perceptual existence. The city also provides a variety of commercialized and provocative material forms,and the ＂wanderers＂,who represent the attempt of human beings to pursue sensibility,emerge as the times require. Under the rationalization of urbanization,they try to maintain their artistic ways of existence. Therefore,they become a special perspective to investigate modernity.The rapid development of contemporary Chinese urbanization and the drastic change of ideas provide conditions for the generation and growth of Chinese wanderers,and the latter has become a microcosm of contemporary Chinese modernity. Wanderers in Chinese contemporary literature can be divided into two groups according to the time and spirit： subject character wanderers in 1980 s and non-subject character wanderers after 1990 s. The former can be classified as the rebellious form and the game form; meanwhile,while the latter can be classified as the searching form and the peddling form. These heretical images in modernization process drew the outline of aesthetical survival in modern China through their ideology,behavior pattern and value seeking.

关 键 词：城市化 城市文化 工具理性 审美化生存 游荡者 

分 类 号：I207.42[文学—中国文学]