“人”的文学到文人电影的改编叙事研究——以《推拿》为例  

Study of Adaptation from "Man's" Literature to the Scholar Film: Taking Massage as an Example

作　　者：周健 

机构地区：[1]陕西师范大学文学院,陕西西安710199

出　　处：《绵阳师范学院学报》2018年第1期133-139,共7页Journal of Mianyang Teachers＇ College

基　　金：国家社科基金一般项目"中国大陆当代小说在英语国家的译介;传播与接受研究"(14BZW125)

摘　　要：网络文学和商业电影大肆兴起,传统"人"的文学和文人电影似乎正在失去一隅领地。一方面现代知识分子能够在"超然"于自己的专业领域从事文艺创作的同时,力争追求难能可贵的"介入",怀有严肃的社会使命感,是其突围的主观前提。另一方面,如何通过探究两种不同媒介的叙事规律以完成二者之间成功的叙事转换,是其突围的根本条件。小说《推拿》和电影《推拿》在叙事视角、叙事时空、情节结构方面都完成了较为出色的转化,灵魂相通而不失个性,具有范式意义。With the rapid development of Internet Literature and commercial films,the traditional " human" literature and scholar film seem to be losing their color. On the one hand,modern intellectuals are able to pursue literary and artistic creation in their own professional fields,who strive to pursue valuable " intervention" and have a serious sense of social mission,which is the subjective premise of their breakthrough. On the other hand,how to accomplish the successful narrative transformation between the two parties by exploring the narrative laws of the two different media is the fundamental condition for its breakthrough. The novel massage and the movie massage have completed a nice transformation in narrative perspective,narrative time and space and plot structure,and the soul is interlinked without losing individuality. It has great significance of paradigm.

关 键 词：文人电影 《推拿》 叙述视角 叙事时空 情节结构 

分 类 号：I235[文学—中国文学]