网络电影榜单的文化权力与心理机制  

“The Third Standard of Film Review” and “ Weighting Elitism”:The Cultural Power and Mental Mechanism of the Movie Lists on Internet

作　　者：王伟[1] 

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2018年第1期53-57,共5页Film Art

基　　金：2017年度教育部人文社会科学青年基金项目"华语电影的海外互联网传播史研究"(项目编号:17YJC760091);中国博士后科学基金第61批面上资助"华语电影的互联网传播史"(攻略编号:2017M610682)课题阶段成果

摘　　要：文本从法国哲学家斯蒂格勒的"药剂学"出发,以英语电影网站为研究对象,通过当前网络电影榜单的主要形式、类型及特点,分析其在发生、发展、转型等不同时期的社会原因和心理机制,从而指出其作为"第三种电影评价标准"的可能,及其背后所彰显的美学内涵。In this article, several English language film websites were analyzed with their film lists, starting from the ＂pharmakon＂ of Bernard Stiegler. I would like to point out that the film lists could serve as ＂the third standard of film review＂ and reveal its aesthetic connotation by concluding its main forms, genres and characters, which leads to the analysis of the social background and mental mechanism of film lists separated by different stages, whose happening, developing and transforming.

关 键 词：电影榜单 文化权力 电影评价 电影史研究 

分 类 号：J905[艺术—电影电视艺术]