城市文化语境变迁中合唱音乐行动者乐人的作为  

The Act of Chorus Music Actors During the Evolution of Urban Cultural Context

作　　者：叶文辉[1] 周华生 

机构地区：[1]温州大学音乐学院,浙江温州325000 [2]江西师范大学鹰潭学院,江西鹰潭335000

出　　处：《重庆社会科学》2018年第1期108-114,共7页Chongqing Social Sciences

基　　金：2016年度教育部人文社会科学研究规划基金一般项目"中国城市文化语境中的合唱音乐研究"(16YJA760048)

摘　　要：从中国城市文化语境变迁和现代性转型中的合唱音乐文化整体发展历程看,从启蒙到当下,合唱音乐的"声音行为"和"声音事像"所关联的社会学内容、文化意义内容,人所处在两者之中产生的情境内容,以及三者之间相互驱动和交往信息,它们共同塑造了中国合唱音乐社会学意义的价值取向和美学取向,与此关联的乐人和乐事始终无法脱离社会行动者的身份。一方面,它成为助推中国合唱音乐发展的动力;另一方面,它又是中国合唱音乐现代性建构的阻力。这是中国合唱音乐文化要解决的美学和艺术的深层问题。In view of the chorus music culture＇s integrated development history during the evolution and modern transformation of Chinese urban cultural context, from its enlightenment to modern development, the sociological contents and cultural connotation associated with the ＂vocal behavior＂ and ＂vocal events＂ of chorus music, the contexts arising from in between, and the interactive exchanges and communications of the three elements have mutually established the value orientation and aesthetic orientation of the sociological significance of chorus music in China. And the associated musicians and music events can not be separated from social actors. On the one hand, it has become a driving force for the chorus music development in China; but on the other hand, it hinders the modern restructuring of Chinese chorus music, which is a deep-rooted problem concerning aesthetics and arts that needs to be tackled by Chinese chorus music culture.

关 键 词：中国城市文化语境 合唱音乐 音乐现代性 行动者乐人 

分 类 号：J6[艺术—音乐]