宋初诗僧释智圆西湖诗考论  

A Textual Research on Shi Zhiyuan's West Lake Poetry

作　　者：宋雪玲[1] 

机构地区：[1]浙江省社会科学院文化研究所,浙江杭州310007

出　　处：《浙江树人大学学报》2017年第5期59-63,共5页Journal of Zhejiang Shuren University

基　　金：浙江省社会科学院一般课题(2017CYB09)

摘　　要：释智圆晚年与西湖为伴,创作了大量以西湖、孤山及酬唱赠答为题材的西湖诗,内容十分丰富。释智圆采取自注诗歌的方式丰富了其诗歌的内涵,有着融合儒、佛和倡导诗教的个性,同时也有宋诗"以议论为诗"的共性。虽然释智圆算不上宋代一流的诗人,其主要成就亦不在诗歌,但从西湖诗的发展来看,正是以释智圆为代表的居住于西湖之畔的这一批宋初诗人,开启了西湖诗歌发展的第一个高峰。研究西湖诗词,既可以清晰地了解西湖文化的发展历史,又可以为推介西湖人文景观、恢复历史原貌提供历史坐标,也可以为进一步扩大西湖的社会传播效应提供艺术媒介。Lived along with the West Lake in his later years, Shi Zhiyuan created a large amount of West Lake poems with the theme of the West Lake, Gushan and Antiphonal Singing, and rich in contents. Shi Zhiyuan enriched the connotation of his po- ems by means of self-annotation, which have the individuality of the fusion of Confucianism, Buddhism, and advocate poetic edu- cation, and also the commonness of Song poetry which composing poems with comments. Although Shi Zhiyuan was not among the first-class poets of the Song Dynasty and his major achievements were not in poetry, but judging from the development of the West Lake poem, it was the early Song dynasty poets who lived beside the West Lake represented by Shi Zhiyuan created the first peak of West Lake poetry development. The study of West Lake poetry can not only clearly reveal the history of the development of West Lake culture, but also provide historical coordinates for the recommendation of the West Lake cultural landscape and resto- ration of its original appearance, and provide an artistic medium for further expanding the social communication effect of the West Lake.

关 键 词：释智圆 西湖诗 孤山 

分 类 号：I207.22[文学—中国文学]