敦煌莫高窟第320窟大方等陀罗尼经变考释  

A Textual Study on the Mahavaipulya Dharani Sutra Illustration in Mogao Cave 320

作　　者：王惠民[1] 

机构地区：[1]敦煌研究院考古研究所,甘肃敦煌736200

出　　处：《敦煌研究》2018年第1期91-99,共9页Dunhuang Research

基　　金：2013年第二批国家社会科学基金重大项目"敦煌石窟图像专题研究"(13@ZD098);2016年度教育部人文社会科学重点研究基地重大项目"敦煌石窟内容总录整理与研究"(16JJD770023)

摘　　要：敦煌莫高窟第320窟南壁壁画题材不见于其他洞窟,一直未能定名。通壁壁画由中央说法会、下方宝池莲花化生、两侧莲茎和千佛三部分组成,论文认为这是依据北凉法众译《大方等陀罗尼经》绘制的一铺经变,宣传释迦说陀罗尼时幻现出的景观。《大方等陀罗尼经》在中国南北朝时期就十分流行,对中国佛教影响较大。第320窟大方等陀罗尼经变的发现,使敦煌石窟又增加了一种新经变。The theme of the wall painting on the south wall of Mogao cave 320 has not been seen before in other caves and thus has not yet been formally denominated. The painting covering this wall consists of three parts： a preaching scene in the center, a treasure pond with lotuses and reborn souls at the bottom and a combi- nation of the thousand-Buddha and lotus stem motifs on two sides. It is believed by the author that this is an il- lustration depicting the illusory landscape that appeared while the Buddha was preaching the Dharani to his fol- lowers, and was painted according to the Mahavaipulya Dharani Sutra translated by Fazhong in the Northern Liang dynasty. This sutra was popular in the Southern and Northern dynasties and exerted considerable influence on the development of Chinese Buddhism. The discovery of the Mahavailulya Dharani Sutra iUustration in cave 320 is a significant addition to the list of already identified sutra iUustrations in Dunhuang caves.

关 键 词：莫高窟第320窟 《大方等陀罗尼经》 经变画 

分 类 号：K879.41[历史地理—考古学及博物馆学]