The Semiotics of Photography： Towards Objective Hermeneutics  

作　　者：Salvador Leon 

机构地区：[1]Superior School of Visual Arts

出　　处：《Journal of Philosophy Study》2017年第12期634-644,共11页哲学研究（英文版）

摘　　要：How can we know what a photograph means？ What messages or codes exist semiotically that help us to interpret it？ The mass consumption of images is reflected in the large number of contests, scholarships, galleries, museographic exhibitions and especially in advertising： What are the semiotic parameters that can be established for a reliable and clear judgment to discriminate one photo from another？ For critics or judges, artists or the general public, this article seeks to answer these questions by proposing a semiotic analysis based on new advances in science, in psychology of perception and neurobiology of vision; said methodology, currently being applied intensively at ESAV and used in the postgraduate studies of the present author, seeks to facilitate the understanding of the meaning--to improve the hermeneutics---ofthe photographic image in a systematic and objective way.我们怎么能知道一张相片意味着什么？什么消息或代码 semiotically 存在帮助我们解释它？图象的集体消费在比赛的大数字被反映，奖学金，画廊， museographic 展览并且特别在做广告：能被建立让一个可靠、清楚的判断从另外一个区别一张相片的符号学参数是什么？为批评家或法官，艺术家或一般公众，这篇文章寻求由在科学基于新进展建议符号学分析回答这些问题，在感觉的心理学和视觉的神经生物学；说方法论，当前在 ESAV 强烈地被使用并且在现在的作者的研究生研究使用了，寻求便于 meaningto 的理解改进 hermeneuticsof 以一个系统、客观的方法的摄影图象。

关 键 词：SEMIOTICS SEMIOLOGY arsology PHOTOGRAPHY ART design 

分 类 号：B[哲学宗教]