陕北民歌的学术概念检讨  

The Review of Academic Concepts of Northern Shaanxi Folk Songs

作　　者：李雄飞[1] 

机构地区：[1]广东海洋大学文学院,广东湛江524088

出　　处：《榆林学院学报》2018年第1期6-10,共5页Journal of Yulin University

基　　金：2014年国家社科基金项目(14BZW070)

摘　　要：我们现在能够见到的陕北民歌大致产生与流传在陕西北部及其周边地区,生存在十九世纪中期至今的170余年里,基本上是由处在社会底层、从事体力劳动、没有或很少接受过文化教育的当地劳苦大众口头创作、集体修改并世代广泛流传的歌曲,分为典型性陕北民歌、非典型性陕北民歌、陕北曲艺"摘唱"与陕北小戏"摘唱"、文人拟作的陕北民歌等四种,被陕北民众普遍认同,与陕北其他音乐文学有着鲜明界限。陕北民歌研究的许多乱象,首先是从脱离概念、违背概念而开始的。The northern Shanxi folk songs were spread in the northern Shaanxi and its surrounding areas in the mid nineteenth century. For the last 170 years,those have been orally created and modified together by underprivileged and illiterate people,most of whom were doing physical labor. There are mainly four kinds of northern Shaanxi folk songs,namely,typical northern Shaanxi folk songs,atypical northern folk songs,northern Shaanxi playlet extract and northern Shaanxi folk songs created by literate people. Northern Shaanxi folk songs are widely accepted by local people and it's significantly different from other music and literature forms in northern Shaanxi. Much confusion in the research of northern Shaanxi folk songs are caused by departure and violation of concepts.

关 键 词：陕北 民歌 陕北民歌 概念 错误 

分 类 号：I206.6[文学—中国文学]