相同材料下的不同表皮呈现——安藤忠雄与贝聿铭的不同美学观念  

Different Skins Under the Same Material——Ando Tadao and Ieoh Ming Pei's Different Aesthetic Concept

作　　者：王骁 刘玮璠 

机构地区：[1]重庆大学建筑城规学院

出　　处：《建筑与文化》2018年第2期193-194,共2页Architecture & Culture

摘　　要：安藤忠雄与贝聿铭都是普利兹克奖得主,都受到现代主意思潮的影响,都对混凝土与玻璃材料具有偏爱。但是两者的建筑表皮却呈现出全然不同的体验。一个出生和生活在日本,长年受到日本阴翳美学的影响,并对建筑作品的自然性保持追求。另一个出生在中国,生活在美国,不但受到中国传统"中庸"文化的影响,而且跻身于现代主义的大浪潮中,受到理性主义的影响。后师从格罗皮乌斯,在不断的学习和自我反思中,对建筑作品的历史性保持高度关注。这两种迥异的文化底蕴和生活经历,造就了不同的美学观念。从而使建筑表皮呈现出不同的感官体验:一个阴冷、暧昧,一个温暖、明确。Both Ando Tadao and Ieoh Ming Pei are the winners of the Italian Academy of Sciences, all of which are influenced by modern ideas, and have a preference for concrete and glass materials. But both of them have a completely different experience. A born and living in Japan for many years, influenced by Japanese from aesthetics, and the nature of the construction works to keep the pursuit of. Another was born in China, living in the United States, not only by the Chinese traditional ＂moderation＂ culture, but also among the big wave of modernism, the impact of rationalism. With Gropius, in continuous learning and self reflection in the history of architectural works to maintain a high degree of concern. These two different cultural backgrounds and life experiences have created different aesthetic ideas. In order to make the construction epidermis showing a different sensory experience： a cold, ambiguous, a warm and clear.

关 键 词：材料 表皮呈现 美学观念 

分 类 号：TU-86[艺术—艺术设计]