论晚明戏曲批评对传统曲学观念的突破——以吕天成《曲品》为例  

Analysis on the breakthrough of the Comment of Drama in the Late of Ming Dynasty towards Traditional Drama

作　　者：李天[1] 

机构地区：[1]延边大学人文社会科学学院,吉林延边133002

出　　处：《白城师范学院学报》2017年第5期55-59,共5页Journal of Baicheng Normal University

摘　　要：明嘉靖至万历年时期是中国古代戏曲尤其是明传奇发展史上的顶峰时期,在这种历史背景之下,此前自元代以来早已形成的戏曲格局发生了很大改变,戏曲理论、戏曲观念也受到挑战,面临重塑。吕天成《曲品》正是在这样的历史条件下诞生的,对原有的曲学理论、曲学观念多有颠覆之处,其中尤以对地域歧视观念和对伦理褒贬观念的突破最为突出。The period between Jiajing and Wanli year,is at the very pinnacle of Chinese drama. Under this historical background,the previous form of drama built since Yuan dynasty has greatly been changed. The method of drama has been challenged,so that needed rebuild it. Qu pin wrote by Lv Tiancheng was born in this historical conditions. It has twistly changed the preivous methods and ideas of drama. The most outstanding part is on territorial discrimination and moral judgement.

关 键 词：晚明戏曲 传统曲学 突破 吕天成 《曲品》 

分 类 号：I207.37[文学—中国文学]