学科学理共识及西方乐派对培育中国乐派的意义  

Subject Academic Consensus and Significance of Western Music Schools Schools Fostering Chinese Music Schools

作　　者：刘元平 

机构地区：[1]韩山师范学院音乐学院,广东潮州521041

出　　处：《安徽师范大学学报（社会科学版）》2018年第2期150-156,共7页Journal of Anhui Normal University(Hum.&Soc.Sci.)

摘　　要：音乐流派问题在中、西方音乐学界备受关注,但相关研究都是以针对各流派的"个案研究"为主,针对流派的"元理论"研究相对薄弱。借鉴姊妹学科的流派理论来考察音乐流派现象,不失为一条可行的途径。在文学、绘画、电影的学术领域存在着一些基本共识,借鉴这些共识来考察西方音乐中的流派现象,不难发现中国学者在研究和认识西方乐派的过程中,在译名选择、术语理解、行文表述、研究取向等方面存在一些误解,值得反思和进一步深入研究。The problem of music schools has been a main concern in Chinese and Western music field.However,relevant studies mainly focus on case analysis aiming at various schools.Metatheory about various schools is relatively weak.It is feasible to investigate music schools with reference to school theories from sister disciplines.There are some underlying mutual in the field of literature,painting and movie.With reference to them,it is easy to find that Chinese scholars have some misunderstandings in studying western music schools,such as choosing translated term,understanding terminology,writing and expressing,research orientation,etc,which is worth of reflection and further study.

关 键 词：流派理论 乐派 学派 传承 中华乐派 

分 类 号：J602[艺术—音乐]