性别与家族历史书写——以王安忆《纪实与虚构》《伤心太平洋》为中心  

Gender and Family History Writing:A Study of Wang Anyi's Documentary and Fiction and The Sad Pacific

作　　者：马春花[1] 于安琪 

机构地区：[1]中国海洋大学,山东青岛266100

出　　处：《山东女子学院学报》2018年第2期72-76,共5页Journal of Shandong Women＇s University

摘　　要：家族历史书写是1990年代以来最引人注目的文学思潮之一,诸多女作家也汇流其中,她们对女性边缘历史与历史边缘之族群的关注,为历史书写提供了别一性别的样貌。以王安忆《纪实与虚构》与《伤心太平洋》为中心进行分析发现,这两部作品对其母系家族和父系家族的历史书写具有独特意义。通过追寻母系家族脉络,考证边缘父系历史,王安忆在填充女性历史"空白之页"的同时,也瓦解了大一统的父系主流历史叙事,使女性和边缘族群成为历史书写的重要文化资源。Since the 1990 s,family history writing has been one of the most noticeable literary trends.Many women writers participated in describing women 's marginal history and marginalized ethnic groups,which provides a different gender perspective for history writing.This paper focuses on Wang Anyi's novels Documentary and Fiction and The Sad Pacific,exploring the unique significance of her writing in seeking the maternal family and the paternal family history.Through her writing,while filling out the blank in women's history writing,Wang Anyi disintegrates the grand and unified paternal mainstream historical narrative,making women and marginalized ethnic groups important cultural resources of history writing.

关 键 词：王安忆 母系历史 边缘父系历史 性别 

分 类 号：I207.4[文学—中国文学]