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作 者:周勇[1]
出 处:《城市学刊》2017年第6期84-88,共5页Journal of Urban Studies
基 金:国家社会科学基金艺术学项目(15BB015);湖南城市学院创新团队项目(湘城院发[2014]12号)
摘 要:城市空间的拓展,湖南花鼓戏所赖以生存和发展的乡村生产和生活空间密不可分的状态被打破,且尚未找由乡村而城市、由传统而现代的发展路径。事实上,城市空间拓展中,湖南花鼓戏在语言秩序的时空化呈现、生活方式的象征化系统和主体形象的秩序化编排等方面呈现其独特的文化内涵。基于此,以居民与城镇生活空间的现实书写、历史与乡土文化空间的再度重温、语言与戏曲审美空间的理想建构为途径,可以实现花鼓戏在生产、生活、文化和审美意义上,由乡村到城市、由传统到现代的传承和发展。With the expansion of urban space the inseparable state of village production and living space as the survive foundation of Hunan Flower Drum Opera has been broken, and it has not yet find the development path from village to city, from the traditional to modernization. Actually, Hunan Flower Drum Opera presenting its unique cultural significance during the expanding of urban space, such as the presentation of space-time of its language strategy, the presentation of the symbolic system of its pattern of life, the presentation of orderly arrangement of image of subject. Based on this, Hunan Flower Drum Opera can get development from village to city and from traditional to modernization in the aspects of production, life, culture and aesthetic significance, by the way of realistic writing of residents and urban living space, recapturing history and rural cultural space again, ideal constructing of language and drama aesthetic.
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