电影《推拿》改编得失探究  

Gains and Losses of Film Adaptation of “Massage”

作　　者：郭传靖 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《太原学院学报（社会科学版）》2017年第5期82-87,共6页Journal of Taiyuan University(Social Science Edition)

摘　　要：文学作品与影视一直有着密切联系,在现代的传媒社会中,影视与文学作品的关系相比之前更为密切,影视改编对文学的发展究竟造成什么样的影响也是一直为研究者所探究的问题。根据毕飞宇小说《推拿》改编的同名电影上映后引起了人们的极大关注。娄烨对小说人物与情节作了适当的删减与整合,使其更符合电影的表达方式;电影依然延续了小说爱情与尊严的主题,表现了对底层社会的关注。为了表现盲人世界的故事,电影创造性地使用了"盲视觉"与声音优先的表现手法。Literary works have ever had some close relationship with films and TVs. In the present media society,such relationship is closer than before. What influences the film adaptations have to the development of literature is always the problem explored by the researchers. When the film＂Massage＂which is adapted according to Bi Feiyu＇s novel＂Massage＂is shown,it causes a great deal of attention. In the factor of images and plots,film and novel are two different artistic forms,so Lou Ye makes some deletion and integration to the images and plots of the novel and make it meet to the film expression： however,it still continues the novel＇s theme of love and dignity,showing the concern for the bottom society. In order to tell the story of a blind,the film creatively uses the film expression methods of ＂blind vision＂and sound priority.

关 键 词：《推拿》 毕飞宇 娄烨 影视改编 

分 类 号：J905[艺术—电影电视艺术]