论白居易乐舞诗的乐舞美学内涵  

On the Aesthetic Connotation of Music and Dance in Bai Juyi's Music and Dance Poems

作　　者：李书[1] 

机构地区：[1]赤峰学院蒙古文史学院,内蒙古赤峰024000

出　　处：《赤峰学院学报（哲学社会科学版）》2018年第2期85-88,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：白居易在长期与乐舞相伴的生活中,创作了大量的乐舞诗,并逐渐形成了一套自己的乐舞美学思想。白居易乐舞诗的乐舞美学内涵主要表现在以下三个方面:"大和之美","唱情之美"和"无声之美"。本文通过对其的论述,以期对白居易散落于乐舞诗中的乐舞美学内涵有一个提炼与总结,从而引起更多的学者来关注白居易及其乐舞诗。In his long life with music and dance, Bai Juyi created a large number of music and dance poems, and gradually formed a set of musical and dance aesthetic ideas. The aesthetic connotations of the music and dance of Bai Juyi＇s music and dance poems are mainly manifested in the following three aspects： ＂great beauty＂, ＂beauty of singing love＂ and ＂silent beauty＂. Through the discussion of it, this paper aims to summarize and summarize the aesthetic connotation of music and dance scattered by Bai Juyi in music and dance poetry, thus attracting more scholars to pay attention to Bai Juyi and his music and dance poetry.

关 键 词：白居易 乐舞诗 乐舞美学内涵 

分 类 号：I207.22[文学—中国文学]