立场与方法:中国美术考古学理论体系纲论  

Standpoint and Method:Theoretical System of Chinese Art Archaeology

作　　者：李杰[1] 弓淼 

机构地区：[1]西安外国语大学艺术学院

出　　处：《浙江艺术职业学院学报》2017年第4期114-121,共8页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科基金西部项目<中国美术考古学的体系构架研究>的阶段性成果。(项目编号:16XKG005)

摘　　要：中国美术考古学的主要目标是解决现有考古学和美术学方法所不能解决的、考古美术遗存的艺术特征、价值标准等定性问题。中国美术考古学的成立,不但要形成一套区别于其他学科的独立研究体系,同时也必须找到一条相对独立而又密切相连的技术手段和研究方法,来系统、准确地诠释考古标本的艺术价值和文化特性。The main target of Chinese art archaeology is to solve some issues which cannot be figured out by the existing methods of archaeology and fine arts,such as the remaining matters of artistic value standard and orientations.Therefore,the settlement of Chinese art archaeology not only needs an independent research system which distinct from other disciplines,but also a relatively independent and closely related technological method and research methodology at the same time; then it would illustrate the artistic value and culture characteristic of archaeological specimen systematically and accurately.In addition,the style construction of archaeological fine art works would be defined,the overall trend of style variations at different periods would be concluded; sequentially,there would be a definite orientation for typical continuous style at different periods.

关 键 词：美术考古 时间场域 风格特征 本体要素 

分 类 号：J20-05[艺术—美术]