“向死而生”——布朗肖与朗西埃论文学  

Being-Towards-Death: Reflections of Blanchot and Rancière on the Nature of Literature

作　　者：臧小佳[1] 

机构地区：[1]西北工业大学外国语学院

出　　处：《当代外国文学》2017年第4期123-129,共7页Contemporary Foreign Literature

基　　金："中央高校基本科研业务费青年教师科研资助项目"(编号:3102017JC20001)资助

摘　　要：作为20世纪法国最重要的思想家、文学批评家,莫里斯·布朗肖与雅克·朗西埃分别提出了独特的文学见解,二者通过作者的消亡、文学的空间、死亡与沉默等问题产生了某种理论关联。从布朗肖到朗西埃,文学似乎从趋向"未来"走向了"精神"世界。布朗肖与朗西埃的思想,共同激起了有关"文学"的矛盾性,区别与关联之中亦有深刻的历史必然及辩证相通。As two of the most important French thinkers and literary critics in the 20th century, Maurice Blanchot and Jacques Rancière have presented, respectively, their unique views on the nature of literature. Their thoughts on the death of the author, literary space, death and silence as well as other issues are theoretically interwoven. From Blanchot to Rancière, discourses on literature seem to have travelled from the ＂future＂ to the ＂spiritual＂ world. Their thoughts have inspired discussions of the illusive and paradoxical nature of ＂literature,＂ and they have illuminated the profound historical necessity and dialectical connections between distinctive and associative understandings of literature.

关 键 词：莫里斯·布朗肖 雅克·朗西埃 沉默 死亡 “马拉美事件” 

分 类 号：I565.06[文学—其他各国文学]