他山之石,可以攻玉——《为羽管键琴及打击乐而写的音乐》的音高思维研究  

By Other's Fault, Wise Men Correct Their Own——A Study of Thinking Models of Pitch in Music for Harpsichord and Percussion

作　　者：黄祖平[1] 

机构地区：[1]苏州科技大学音乐学院,江苏苏州215009

出　　处：《南京艺术学院学报（音乐与表演版）》2017年第4期126-136,共11页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2016江苏省高校哲学社会科学研究项目<古拜杜琳娜音乐中的音高思维研究>(项目编号:2016SJB760070)的阶段性成果;2016年度江苏省博士后基金项目(项目编号:1601035C)的阶段性成果

摘　　要：《为羽管键琴及打击乐而写的音乐》是俄裔德籍作曲家古拜杜琳娜早期创作的一部代表性作品。该作品在音高设计、乐思展开、音色运用、乐队编制、结构设计等方面具有独特个性。本文旨在分析该作品音高设计与铺陈展开,通过该作品音高网络研究,揭示作曲家在音高思维方面的独具匠心,为我们解开作曲家音高结构特点,分析同时代其他作曲家音高思维提供理论参照。As one of the representative works of Russian German composer Sofia Gubaidulina in her earlier days, Music for Harpsichord and Percussion possesses many unique features in terms of pitch design, tone use, band authorized strength, structural design, etc. The purposes of this study is to analyze its pitch design and elaborations, probe into the unique ingenuity of the composer in pitch network studies, and reveal the structural features of pitch of the composer so that this paper will provide theoretical references for the thinking models of other contemporary composers.

关 键 词：古拜杜琳娜 羽管键琴与打击乐 音高结构有比例卡农 字谜思维 

分 类 号：J647.45[艺术—音乐] J625