意大利后现代主义文学述评  

A Remark on the Italian Literary Postmodernism

作　　者：胡全生[1] 

机构地区：[1]上海交通大学,上海200240

出　　处：《当代外语研究》2018年第1期54-59,共6页Contemporary Foreign Language Studies

基　　金：国家社科基金重大项目"战后世界进程与外国文学进程研究"(编号11&ZD137)的阶段性成果

摘　　要：意大利后现代主义文学始于其新先锋派,算是"迟到"了。20世纪70年代末新先锋衰亡,"多元化"中通俗作品充斥市场,直至80年代才迎来"后现代主义年代"。90年代食人族文学出现,标志着意大利后现代主义文学在日益通俗化的过程中衰弱。意大利就"后现代"理论上的讨论虽然明显"不足",但"理性危机"和"微弱思想"却能反映它的后现代主义思想意识,而21世纪初就回归现实主义的论战,则反映出意大利现实主义传统的顽强,即使在《夜》和《名》这样的后现代叙事典范中,依然可见通俗传统。The Italian postmodernism in literature began with the new avant-garde and is thus regarded as"belated".In the late 1970 sthe new avant-garde became obsolete and in its place came a literary diversity provoking the prevalence of popular fiction in the market until the 1980 s—"the postmodernist years".By the 1990 s,the Giovani Cannibali emerged,marking the waning of the Italian postmodernism in the intensified process of popularism.Though theoretical discussion of postmodernism in Italy is "not enough",the two concepts,i.e.,"crisis of reason"and "weak thought",along with the debate on a return to realism in the beginning of the 21 st century,are,more or less,reflective of the Italian consciousness of postmodernism and of the vitality of Italian realism.Even from such typical examples of postmodern narrative as If on a Winter's Night a Traveler and The Name of the Rose,we can see the chanting of popularism that is inseparable from literary tradition.

关 键 词：后现代主义文学 理性危机 微弱思想 双重编码小说 

分 类 号：H315.9[语言文字—英语]