现代蒙古建筑装饰设计中的蒙元文化研究  

Study on Mongolian Culture in Yuan Dynasty from Modern Mongolian Architecture's Decoration and Design

作　　者：余紫君 蒋中秋[1] Yu Zijun;Jiang Zhongqiu;

机构地区：[1]武汉理工大学,湖北武汉430070

出　　处：《家具与室内装饰》2018年第3期114-115,共2页Furniture & Interior Design

基　　金：国家社会科学基金项目(09CZW007)

摘　　要：本文以游牧文化作为蒙元文化的切入点,对蒙元文化的内容和蒙元文化的继承与发展进行分析,探讨蒙古地区在景观建筑的设计过程中对于蒙元文化的提炼与运用。随着科学技术和经济的发展,民族文化与世界文化在一定程度上进行了接触与融合,设计师在充分理解蒙元文化的背景下,将蒙元文化进行传承与再创造,并且与西方美学理念结合,从而形成了独具个人特色的新的蒙元建筑形式语言。本文将以民族文化中的蒙元文化为出发点,分析蒙元文化对蒙古建筑和建筑装饰风格的影响,解读蒙古建筑装饰设计中的独特艺术。Based on the nomadic culture as the starting point of Mongolian culture, the content of Mongolian culture as well as the inheritance and development of Mongolian culture are analyzed. At the same time, the extraction and application of Mongolian Culture in Yuan Dynasty are explored in the process of designing landscape architecture in Mongolia. With the development of science, technology and economy, ethnic culture and world culture have made contact and integration to some extent. Under the background of fully understanding Mongolian culture, designers inherit and recreate the culture of Mongolian Culture in Yuan Dynasty as well as combine with western aesthetics, thus forming a unique, personalized and new Mongolian architecture＇s form language. Based on the Mongolian culture of the ethnic culture, this article analyzes the influence of Mongolian culture on the Mongolian architecture and architectural decoration style, and explains the unique art in Mongolian architectural decoration design.

关 键 词：蒙元文化 继承发展 形式语言 建筑装饰 

分 类 号：TU238[建筑科学—建筑设计及理论]