论日本当代先锋戏剧  

A Study of Japanese Contemporary Avant-garde Drama

作　　者：邱雅芬 Qiu Yafen(Foreign Literature Research Institute, Chinese Academy of Social Science)

机构地区：[1]中国社会科学院外国文学研究所

出　　处：《戏剧艺术》2018年第2期67-73,共7页Theatre Arts

摘　　要：日本当代先锋戏剧是日本戏剧"主体性"建构的重要环节,其中小剧场戏剧是这场运动的生力军。日本当代小剧场戏剧人怀着"创造属于日本自己的当代戏剧"的梦想,在反抗写实主义话剧的过程中茁壮成长,终于在传统与现代、传统与先锋、日本与世界之间架起了沟通的桥梁,建构起了富于日本特色的当代戏剧世界,这中间有许多值得我们借鉴之处。Japanese contemporary avant-garde drama is an important part of the ethnic identity construction of Japanese drama. Little theater drama is an especially new force within this movement Dreaming of creating a contemporary drama to call their own, contemporary Japanese dramatists of little theater grew up quickly in resistance to realistic drama. Eventually, they built a bridge between tradition and modernity, between tradition and avant-garde, and between Japan and the rest of the world, which helped to form a contemporary dramatic world with distinctive Japanese characteristics. There is much inspiration in the struggle of the contemporary Japanese dramatists

关 键 词：日本先锋戏剧 日本当代小剧场戏剧 唐十郎 野田秀树 

分 类 号：J80[艺术—戏剧戏曲]