论易卜生宗教观的嬗变及其戏剧创作  

On the Transformation of Ibsen's Religious Ideas and His Dramaturgy

作　　者：李银波[1] 苏晖[2] Li Yinbo;Su Hui(College of Arts ＆ Law, Wuhan University of Technology;School of Chinese Language and Literature, Central China Normal University)

机构地区：[1]武汉理工大学文法学院 [2]华中师范大学文学院

出　　处：《戏剧艺术》2018年第2期94-101,共8页Theatre Arts

摘　　要：挪威戏剧大师易卜生有多部戏剧包含宗教主题或题材,从这些戏剧可知其宗教观发生了由信仰路德派新教到倾向无神论的重大转折。其路德派新教信仰前后也有较大差异,由最初对基督教的颂扬很快转为批评,后来还表达了自己的基督教理想。易卜生宗教观的这些变化与其人生经历密切相关,其中德国文化是影响易卜生宗教观的重要因素,既成为其宗教观的主要内容,也是其宗教观发生转变的重要诱因。易卜生的宗教观也影响到他的戏剧创作,并赋予其戏剧以深刻的思想性。Christianity is an important element in Ibsen＇s plays, several of which contain religious subjects or themes. Ibsen＇s religious ideas drastically changed from Lutheranism to atheistic inclination. His Lutheran belief also changed from eulogizing Christianity at the beginning to criticizing it and expressing his own Christian ideals. The changes in Ibsen＇s religious ideas are closely related to his life experiences, of which German culture was the key factor that affected his religion, both as the source of his religious ideas and as the vital cause of transformation. The transformation in Ibsen＇s religious ideas has influenced his playwriting and deepened the themes of his plays.

关 键 词：易卜生 戏剧 基督教 宗教观 德国文化 

分 类 号：J80[艺术—戏剧戏曲]