丁玲抗战时期文学创作对女性话语的坚持  

Ding Ling's Persistence in Feminine Discourse in Her Creation of Anti-Japanese War Literature

作　　者：陈红玲[1] 谢莉君 CHEN Hongling;XIE Lijun(School of Liberal Arts, Shaoyang University, Shaoyang 422000, Chin)

机构地区：[1]邵阳学院文学院,湖南邵阳422000

出　　处：《邵阳学院学报（社会科学版）》2018年第2期102-106,共5页Journal of Shaoyang University:Social Science Edition

基　　金：教育部规划基金项目"丁玲文学创作中的身体哲学研究"(17YJA751005);湖南省社科基金项目"延安文学中的女性话语研究"(15YBB063)

摘　　要：丁玲的文学创作具有强烈的时代性。她一生的创作随时代风云变幻有过几次大的转变,但细读她的作品发现,女性话语是她始终的坚持。初入文坛,她从"性"的角度寻求女性解放;抗战时期,在革命话语、民族国家话语占主导地位的情况下,丁玲并没有因为政治因素而选择忽视女性问题,而是站在女性立场上,大胆而犀利地揭示和批判社会对女性的歧视、制约与偏见,真实客观地反映当时女性生存的艰难,表现出对女性命运的真切关怀与思考。There is a strong sense of the times in Ding Ling9s literature works. In spite of several significant transformations in her works with the changes of the times, feminine discourse was what she persisted in her whole life. In her early writing, Ding Ling searched for a way of female liberation from the perspective of “sex”. During the wartime, without being influenced by the dominating revolutionary discourse and the discourse of race and nation, Ding Ling still fearlessly and bitterly revealed and denounced the social discrimination, restrictions and prejudice against the female. She objectively represented the plight of the contemporary women and showed sincere concerns about and reflections upon the destiny of the female.

关 键 词：丁玲 抗战时期 女性话语 小说创作 革命话语 

分 类 号：I206.6[文学—中国文学]