北方游牧民族设计文化流变因素研究  

The Rheological Factors of Design Cultural of Nomadic Ethnic in the North

作　　者：蔺相东 王洪波[1] 刘飞[1] 崔红梅[1] LIN Xiang-dong;WANG Hong-bo;LIU Fei;CUI Hong-mei(Inner Mongolia Agricultural University, Hohhot 010018, China)

机构地区：[1]内蒙古农业大学,呼和浩特010018

出　　处：《包装工程》2018年第8期28-32,共5页Packaging Engineering

基　　金：内蒙古农业大学社科基金计划项目(2015YB10);国家重点研发计划重点专项项目(2016YFD0701704-3)

摘　　要：目的以北方辽阔草原上游牧民族建立的辽金元三个朝代为背景,接受先进的汉文化为基础;以三朝的生活用品在继承吸收唐宋生活用品基础上取得的新成就为切入点,探究内蒙古地区民族文化设计的传承与发展,进而应用于地区文化产业。方法从设计文化的发展观点,对辽金元时期手工艺品的总体面貌、时代特征、民族风格、造型艺术、文化内涵、审美情趣、创新意识进行综合分析与研究。结论找出由中国传统文化与北方游牧民族文化交流、融合创造出的生活用品和手工艺品的同一性,文化风格的一致性与民族风格的独特性,总结内蒙古地区游牧民族设计文化的流变因素。Based on the culture of Liao, Jin and Yuan three dynasties founded by nomads in the vast steppes of northern China and the advanced Han culture, taking the new achievements in living articles made by the Three Dynasties on the basis of inheriting the daily necessities in the Song Dynasty as the starting point, the inheritance and development of national culture design in Inner Mongolia is explored and applied to regional cultural industry. From the point of the development of design culture, the general appearance of handicrafts, characteristics of the times, national style, plastic arts, cultural connotation, aesthetic taste and innovation awareness in the Liao, Jin and Yuan Dynasties are analyzed and researched comprehensively. The cultural identities and the uniqueness of the national style of the traditional nomadic cultural integration with the traditional Chinese culture are found out, and the rheological factors of nomadic ethnic design culture in Inner Mongolia are summarized.

关 键 词：草原文化 设计流变 民族风格 设计文化 

分 类 号：TB472[一般工业技术—工业设计]