多模态语境参数中故事空间的建构与识解——以电影《摔跤吧! 爸爸》为例  

The Construction and Construal of Story Space in Multimodal Context Parameter——Taking the film Wrestling! Dad as an example

作　　者：刘俊玲[1] 孙小孟[1] 

机构地区：[1]重庆文理学院外国语学院,重庆永川402160

出　　处：《大学英语教学与研究》2018年第1期71-74,共4页College English Teaching & Research

基　　金：重庆市社会科学规划项目"非物质文化遗产外宣英译多模态传播效果研究"(项目编号2017PY26)的部分研究成果

摘　　要：电影艺术通过动态影像、语音、动作等多模态手段构建语境和故事空间,以实现叙事功能。文章从多模态话语分析理论出发,探讨多模态语境参数在影视作品中如何通过构建动态、立体的语境和故事空间来实现揭示人物内心,塑造人物形象,推动情节发展和表达社会隐喻等功能。Film art,constructing context and story space by the use of multimodal means such as dynamic image,voice as well as the motion,produces narrative art.Based on Multimodal Discourse Analysis Theory,this paper discusses how to construct dynamic ,stereoscopic context and story space in film products with the use of multimodal context parameter,so as to serve the functions of revealing people＇s inner world,shaping different characters,motivating the development of plots and expressing social metaphor.

关 键 词：多模态 语境 故事空间 

分 类 号：I247.8[文学—中国文学]