清末民初女性写作的身份表征探讨  

“Mary Sue” and Daydreams: the Identity of the Late Qing and Early Republic Women's Writing

作　　者：杜若松 Du Ruo-song

机构地区：[1]春师范大学文学院,吉林长春130032

出　　处：《首都师范大学学报（社会科学版）》2018年第2期136-143,共8页Journal of Capital Normal University：Social Science Edition

基　　金：本文系国家社会科学基金青年项目“清末民初女作家社会文化身份构建研究”(16ZCW038)的阶段性成果.

摘　　要：在清末民初的女性写作中,女性的文学身份的实现是一个糅合政治、文化、权力、历史、大众传媒等多重意蕴的复杂综合体。既有一些勇于走出家门,在大众文化媒介中被塑造为文化英雄的"玛丽苏"形象;也有部分传统文化体系、家学式体系培养出的闺秀群体,在用文字彰显才学;而在刊印出来的文字中,女性写作的"白日梦"现象成为一种重要写作心理指向。这些文学心理表征反映的是清末民初女性急于获得社会文化身份认同的努力,其中虽包含很多"现代性"局限,也孕育了女性文学现代性步伐的先声。In the writings of women of late Qing and early Republic in China, the realization of women＇ s literary identity is a complex combination of political, cultural, power, history, mass media and other multiple factors and implications. Some women broke out of the confines of the house and were shaped as cultural hero, giving rise to the ＂ Mary Sue＂ phenomenon in the mass cultural media; some women still obeyed the old ways, but were also using printed words to demonstrate their scholarly talents; while in the world of the printed texts of the women, there emerged a common phenomenon of ＂ daydreams＂, a reminder of the importance of psychological points of view in writing. All these are reflections that women＇ s writings of the period are eagerly finding their own places while gaining social and cultural identity. There were a lot of ＂modernity＂ limitations, to be sure, but it also gave birth to the first modern women＇s literature in China.

关 键 词：社会文化身份 清末民初 女性写作 玛丽苏 白日梦 

分 类 号：I206.5[文学—中国文学]