中国近现代女性文学批评初论——基于《妇女杂志》的考察  

A Discussion on Women's Literary Criticism in Modern China:Based on The Ladies Journal

作　　者：陈静[1] CHEN Jing

机构地区：[1]济南大学文学院

出　　处：《首都师范大学学报（社会科学版）》2018年第2期144-152,共9页Journal of Capital Normal University：Social Science Edition

基　　金：国家社会科学基金一般项目"中国近代女性文学批评研究"(16BZW106)的阶段性成果

摘　　要：中国女性比较活跃的文学批评活动始自晚清,20世纪上半叶逐步走向成熟。商务印书馆创办的《妇女杂志》(1915-1931)是中国近现代历史上发行量最大、发行时间最久、覆盖面最广的女性期刊。《妇女杂志》在一定层面上颇能反映中国近现代女性文学批评活动的发展历程与特征。《妇女杂志》共刊登了46位女性撰写的53篇文学批评作品。以1920年为界,女性文学批评的语体和内容均有较大变化:由文言走向白话;由诗文评模式走向现代学术评论;批评对象由中国古代诗文拓展到古今中外文学。1920年代,女性文学批评者们从不同角度论证了女性写作的正当性,在理论层面上扫清了女性从事文学创作的障碍,完成了自清中叶以来女性为自身写作正名的漫长历程。Women＇ s literary criticism was more active in the late Qing and gradually matured in the early 20＇h century. The Ladies Journal （ 1915 - 1931 ） , founded by the Commercial Press, was the most widely circulated and distributed female journal in China＇ s modern history. To a certain degree and at a certain level, The Ladies Journal literally reflected the characteristics of Chinese women＇ s literary criticism activities. Altogether, there were fifty - three literary criticism pieces by forty - six women writers in The Ladies Journal. Taking 1920 as the boundary line, the styles and contents of women＇ s literary criticism witnessed a substantial change, i.e. , from literary Chinese to more colloquial expressions, from the traditional to modern modes of discourse, from criticism of classical Chinese work to that of classical and modern , both Chinese and foreign. In the 1920s, women＇ s literary critics demonstrated the legitimacy of women＇ s writing from different perspectives. Women＇s consciousness in literary criticism was gradually and steadily formed.

关 键 词：女性文学批评 妇女杂志 期刊 

分 类 号：I206[文学—中国文学]