佛道基因与高允诗赋的文学定位  

The Gene of Buddhism and Taoism and the Literary Positioning of Poetry and Song Lyrics by Gao Yun

作　　者：赵逵夫[1] 王峥 ZHAO Kui-fu;WANG Zheng(School of Liberal Arts, Northwest Normal University, Lanzhou 730070, Chin)

机构地区：[1]西北师范大学文学院

出　　处：《河北学刊》2018年第3期117-122,共6页Hebei Academic Journal

摘　　要：高允一生创作有多首与佛、道相关的诗赋作品。受佛、道的影响,高允形成了恬淡克己的政治心态,《塞上翁诗》标志着这一心态的最终形成。在与佛、道相关的作品中,《代都赋》针对北魏文成帝＂复兴佛教运动＂弊端而作,显示出不同于其他歌颂题材的特殊性。从现存作品来看,高允诗风古朴,诗赋创作注重氛围的营造,思想和情感表达多以淡化得失为主。在作品取材和声律方面,显示出向南朝文坛学习的倾向性。高允的《鹿苑赋》代表了北魏前中期文坛纯文学创作的最高水平。Gao Yun composed many poems and song lyrics about Buddhism and Taoism and formed his style of political mentality with tranquility and self-constraint. The song lyric of Dai Du Fu was especially composed to the malpractice of ＂Buddhist Revival Movement＂made by Emperor Wen Cheng Di of Northern Wei Dynasty,different from those of eulogizing the subject. Gao Yun＇s style is anciently simple and has the creation of atmosphere. Thought and emotion are mainly expressed by desalination of gain and loss. In the materials and rhythm,a tendency to study the literary world in the Southern Dynasty is shown.His song lyric of Lu Yuan Fu represents the highest level of literary writing in the first and mid the Northern Wei Dynasty.

关 键 词：高允 佛教道教 诗赋创作 艺术特色 文学成就 

分 类 号：I222[文学—中国文学]