寻根传舞：非物质文化遗产视角下传统舞蹈学术史的回顾与评述  

Seeking the Root and Inheriting the Dance: Review and Commentary of the History of Traditional Dance Studies in the Perspective of Intangible Cultural Heritage

作　　者：罗婉红 Luo Wanhong

机构地区：[1]湖南第一师范学院音乐舞蹈学院 [2]中山大学中国非物质文化遗产研究中心

出　　处：《民族艺术研究》2018年第2期173-182,共10页Ethnic Art Studies

基　　金：国家社科基金重大招标项目“非遗代表性项目名录和代表性传承人制度改进设计研究”(17ZDA168)阶段性成果;教育部重点基地重大项目“非遗保护的中国经验研究”(17JJD850005)阶段性成果;湖南省教育厅科研项目“武陵山区民族建设操(舞)的教材建设与研究”(15C1153)阶段性成果

摘　　要：传统舞蹈是非物质文化遗产的重要组成部分。从非物质文化遗产理论视角对传统舞蹈的学术史进行回顾,把握其动态特征,研判其发展趋势,可为当前的保护实践提供思想基础。以新中国成立为起点,以昆曲进入"人类口头与非物质文化遗产"代表作名录为标志性事件,可将我国非物质文化遗产保护的整体进程分为"申遗"前、中、后三个阶段,对传统舞蹈研究的学术成果进行系统梳理与归类分析。在国家文化政策和非物质文化遗产保护实施方案的推动下,传统舞蹈的学术成果体现出如下特点:研究定位从边缘走向中心;研究视野从单一学科走向综合学科;研究思路从采集体认走向田野实证;研究范式从国家话语走向乡土语境。未来传统舞蹈非物质文化遗产保护研究应加强对保护过程的关注,加强以舞蹈为核心物的扩展性研究;更需要关注的是作为舞蹈文化主体的人,他们的舞蹈行为以及背后的思维逻辑。增强传统舞蹈主体保护和传承它的文化自觉,才是舞蹈非物质文化遗产的生命力永续之源。Traditional dance is a part of intangible cultural heritage. With the aim to provide theoretical foundation of cmwent protection of intangible cultural heritage, this research conducted a review of the history of traditional dance studies from the perspective of intangible cultural heritage in order to understand its dynamic characteristics, study and predict its development trend. Regarding the founding of the People＇ s Republic of China as the starting point and Kunqu Opera being listed on the representative list of ＂ Human Oral and Intangible Cultural Heritage＂ as an iconic event, this paper divided the period of intangible cultural heritage protection in China into three stages, namely the pre - , middle - and post -heritage biding phases. Fur- thennore, this paper systematically sorted out, classified and analyzed the academic achievements of traditional dance studies. Under the promotion of national cultural policies and the implementation of intangible cultural heritage protection programs, the academic achievements of traditional dance reflect these following characteristics： the research orientation moved from the periphery to the center; the research perspective is extended from a single discipline to a comprehensive one; the research ideas advanced from the recognition of collection to empirical fieldwork; the research paradigm developed from the national discourse to the local context. In the future, the protection of intangible cultural heritage of traditional dance should be concerned on the process of protection, the expansion of the study of the dance which is a core, the people who are the custodians of the dance culture, and the dance behavior and the thinking logic which are behind these people. The consolidation of the cultural consciousness of the people who protect and inherit the traditional dance is the source of the vitality of the intangible cultural heritage of dance.

关 键 词：非物质文化遗产 传统舞蹈 学术史 评述 

分 类 号：J709[艺术—舞蹈]