唇齿相依 水乳交融--吹吹腔及白剧的概念辨析与界定  

Close Interdependence and Complete Harmony: Discernment and Definition of Chuichuiqiang and Bai Opera

作　　者：秦思 Qin Si

机构地区：[1]上海音乐学院科研处 [2]上海市高峰高原学科建设项目.上海音乐学院"生态音乐学"团队

出　　处：《民族艺术研究》2018年第2期183-192,共10页Ethnic Art Studies

基　　金：上海市教育委员会2015年度科研创新项目成果(项目代码:15ZS049)

摘　　要：吹吹腔与白剧均为云南大理白族特有的戏曲样式,二者无论在历史还是声腔和音乐上都有着极为密切的互溶性。这种互溶性也使得二者在概念上一直有趋于模糊的现象。通过对已有文献著作中有关吹吹腔及白剧概念的梳理和分析,不难发现,无论我们如何去界定吹吹腔与白剧,恰当与否,都与"民间"有着直接的关系。综合民间集体记忆中有关吹吹腔及白剧观念的分析,呈现出了白剧团专家学者与戏班集体记忆中截然不同的观念。因而,在对吹吹腔和白剧进行概念界定之时,应当综合考虑此二者的观念,尽可能地以符合民间的方式对其进行阐释。Chuichuiqiang and Bai Opera are two unique traditional Chinese opera formats shared by the Bai people in Dali, Yunnan. These two types of music, in terms of the history, tunes and music, are closely related to each other. This close interdependence gradually blurs the concepts of these two kinds of music. Through analysis of the concepts in the existing documents on Chuichuiqiang and Bai Opera, it is not difficult to find that, no matter how we define Chuichuiqiang and Bai Opera or whether this definition is appropriate or not, they are directly related to the ＂folk＂ Synthesizing the analysis of the concepts of Chuichuiqiang and Bai Opera in the folk collective memories, distinctive concepts are noted between the Bai Opera Troupe experts and the collective memories of the troupes. Therefore, when Chuichuiqiang and Bai Opera are defined, these two concepts should be considered so as to better interpret the music in a folk manner.

关 键 词：少数民族戏曲 吹吹腔 白剧 历史变迁 概念辨析 

分 类 号：J824[艺术—戏剧戏曲]