展示·反思·重构——略论藏族作家次仁罗布的创作流变  

Presentation, Reflection and Reconstruction——On Tibetan Writer Tsering Norbu's Creation Evolution

作　　者：杨国强[1] YANG Guoqiang(School of Chinese language and Literature, Wuhan University, Wuhan 430072, Chin)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《云梦学刊》2018年第3期101-107,共7页Journal of Yunmeng

摘　　要：藏族作家次仁罗布的小说创作呈现出阶段性的文学诉求:前期创作以陌生化手法和典型人物形象塑造为手段,力求实现对藏域风情的多彩展示,显示出浓郁的现实主义创作倾向;中期创作以"价值缺失"和"信仰错位"为坐标,反思藏族旧有传统文化在时代变迁重压下的"凝滞感",显现出独特的反思立场,后期创作以"现实与灵魂的深度开掘"和"历史与自我的双重拷问"为突破口,试图重构西藏文学的价值诉求,尝试利用文学实现对世俗生活的引导与升华。随着人生轨迹及个人履历的变迁,次仁罗布的文学创作过程与作家对藏族文化的价值诉求形成一种潜在的同构关系。The Tibetan writer Tsering Norbu’s novels present a periodic appeal： his early works strive to achieve a colorful display of Tibetan customs by means of defamiliarization techniques and the portrayal of typical characters, revealing a strong tendency of realistic creation; and then his works, with the coordinate of ＂ value absence ＂ and ＂ belief dislocation ＂, reflect on the ＂sense of stagnation＂ of the old Tibetan traditional culture under the heavy pressure of the change of the times, revealing a unique reflective standpoint. With the breakthrough of ＂the deep excavation of reality and soul＂ and ＂the dual torture of history and oneself＂, his later works attempt to reconstruct the value demands of Tibetan literature and try to use literature to guide and sublimate secular life. With the change of life track and personal experience, the literary creation process of Tsering Norbu forms a latent isomorphic relationship with the value demands of Tibetan culture.

关 键 词：次仁罗布 展示 反思 重构 

分 类 号：I206.7[文学—中国文学]