“破盆”目连:祭祀与戏剧——贵州道真县目连戏的发现及意义  

Sacrifice and Drama: a Case Study of “Mu-lian-xi(Mulian Opera)” in Daozhen County of Guizhou Province

作　　者：刘祯[1] 

机构地区：[1]中国艺术研究院戏曲研究所,北京100029

出　　处：《贵州大学学报（艺术版）》2018年第2期7-14,共8页Journal of Guizhou University Art Edition

摘　　要：道真目连戏演出一般为丧葬演出,丧葬者为女性,而没有生产过的女性和男性死亡,不表演目连戏,不是以娱乐与艺术的名义进行。演中人物多戴面具,这是道真县目连戏与其他各地目连戏演出的显著区别,也是该目连戏演出与傩班一体的重要标志。在目连戏研究最热之时,南方绝大多数省份目连戏发掘和演出此起彼伏,贵州始终没有进入这一"热"的研究视野中。道真县目连戏的演出,不仅填补目连戏演出和传播区域范围的空白,而且,其独特的祭祀表演为我们提供了对目连戏全新的认识。Mu-lian-xi(Mulian Opera) is usually performed at women's funerals yet not in the name of entertainment and art,and it cannot be performed on the funerals of men and women who did not give birth to children as well. Most characters in the opera wear masks which makes it related to Nuo Opera and distinct from other local Mulian Operas. The majority of the provinces in the South witnessed the exploration and performance of Mulian Opera wave after wave when the study reached its heyday while Guizhou never gets that"hot"research field. The performance of Mulian Opera in Dao-zhen County not only fills the gap of its performance and dissemination area,but also provides us a new understanding of Mulian Opera with its unique sacrificial performance.

关 键 词：目连 破盆 祭祀 丧葬 贵州道真 

分 类 号：J825[艺术—戏剧戏曲]