环境美学视野下的当代花鸟画断想  

A Discussion of Contemporary Flower-and-bird Paintings from the Perspective of Environmental Aesthetics

作　　者：王陶峰 

机构地区：[1]南开大学哲学院,天津300350 [2]洛阳师范学院艺术设计学院,河南洛阳471934

出　　处：《贵州大学学报（艺术版）》2018年第2期86-89,共4页Journal of Guizhou University Art Edition

摘　　要：花鸟画体现了中国人与自然物和谐共存的审美理想。立足当代语境和环境美学的理念,花鸟画应超越对动植物为外观的感性描摹、个人主义抒情、商品化趋向,从人类命运共同体的角度审视动植物在人类精神生活中的重要价值,唤起当代人对自然环境、自然物生存现状的关注。从一己之悲欢离合中解脱,关注全人类所普遍关心的紧迫生态问题,成为以中国化的审美符号和艺术形式表现具有世界意义内容的艺术。Flower-and-bird paintings embody Chinese aesthetic ideal of harmonious coexistence between man and nature. Based on the contemporary context and environmental aesthetics,flower-and-bird paintings should transcend the perpetual portrayal of animals and plants,the overflow of individual feelings and the trend of commercialization. It instead should examine the values of plants and animals in people's spiritual life from the perspective of human community of common destiny and arouse contemporary people's concern for natural environment,and living conditions of natural objects. It would become the aesthetic sign and artistic form of Chinese features to display an art with global significance by deviating from individual experience and by focusing on the pressing ecological issues of the universal concern.

关 键 词：花鸟画 抒情传统 环境美学 人类命运共同体 

分 类 号：J212[艺术—美术]