从“视觉革命”到“政治启蒙”——《点石斋画报》政治想象的叙事架构及审美逻辑  

From “Visual Revolution” to “Political Enlightenment”——The Political Imagination Narrative Structure and Aesthetic Logic of Dianshizhai Pictorial

作　　者：张伟[1] Zhang Wei

机构地区：[1]安徽农业大学人文社会科学学院

出　　处：《社会科学》2018年第5期183-191,共9页Journal of Social Sciences

基　　金：国家社科基金重大项目"马克思主义经典文艺思想中国化当代化研究"(项目编号:17ZDA269);安徽省哲学社会科学规划项目"明清新安刻本中的图像传播机制研究"(项目编号:AHSKQ2016D132);安徽省高校人文社科重点研究项目"图像时代视觉艺术图式的表征机制研究"(项目编号:SK2017A0611)的阶段性成果

摘　　要：作为近代中国以图像为主导的传播媒介,《点石斋画报》基于照相石印技术的广泛采用、中西融汇的图像设计、图文互动的接纳机制以及本土视角的文本修正策略等形式变革,通过对时事新闻、都市风情以及域外新知的主题书写与视觉再现,以一种"他者化"的想象建构了近代中国图像介入政治的先遣模式,激发了民族主体意识与现代社会观念的潜在生成,在晚清上海文化的"大众化"走向以及日常生活的"审美化"语境中,实现了图像与政治的审美合谋,成就了图像表征政治的中国样式。考察《点石斋画报》图像"想象"政治的文本架构对重新认识这一媒介乃至探讨现代视觉传媒的权力作用机制都将有所启发。As an image-oriented media in modern China,Dianshizhai Pictorial is based on the changes of form,such as the widely usage of photolithography technology,the image design integrated between China and the West,the acceptance mechanism of graphic interaction and the strategy of text correction from local perspective.By theme writing and visual reproduction of the news of current affairs,urban customs and extraterritorial new knowledge,Dianshizhai Pictorial has constructed the pre-mode of modern Chinese image intervention politics with the imagination of＂otherness＂,which has aroused the potential generation of the consciousness of national subject and the concept of modern society,realizing the aesthetic integration of image and politics and achieving the Chinese style of image characterization of politics in the ＂popularization＂trend of Shanghai culture in the late Qing Dynasty and the＂aestheticization＂context of daily life.Studying the textual structure of image＂imagination＂politics of Dianshizhai pictorial will be enlightening to the recognition of this media and even to the discussion of the power mechanism of modern visual media.

关 键 词：《点石斋画报》 图像叙事 政治启蒙 权力意识 视觉媒介 

分 类 号：I206.5[文学—中国文学]