多恩《夜祷,作于圣露西节》的形式主义解读  

Interpretation on Donne's A Nocturnal upon St. Lucy's Day from the Perspective of Formalism

作　　者：胡小玲[1] HU Xiao-ling(School of Foreign Languages,Neijiang Normal University, 641100,Sichuan,China)

机构地区：[1]内江师范学院外国语学院,四川内江641100

出　　处：《西南科技大学学报（哲学社会科学版）》2018年第2期33-37,86,共6页Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition

基　　金：四川外国语言文学研究中心资助项目:"形式主义语境下的多恩诗歌研究"(项目编号:SCWY17-24)

摘　　要：俄国形式主义认为作品的文学性在于文学的形式,即文学作品的语言、风格、结构。那么,文学创作的根本就在于艺术形式的表达。"陌生化"手段可以创造出新的艺术形式从而让人们重新感知原来的事物,激活艺术作品的生命力。在《夜祷,作于圣露西节》中,多恩运用非人化的情感表达方式,新奇的意象、隐喻、悖论、复义给读者带来了全新而独特的审美感受。Russian formalism believes that the literariness of a literary work lies in its form,namely its language,style and structure. Therefore,the foundation of literary creation is the expression of the artistic form. ＂Defamiliarisation＂can create new artistic form so as to make people appreciate the original things in new ways and activate the vitality of literary works. In ＂A Nocturnal upon St. Lucy＇s Day＂,Donne creates refreshing and unique aesthetic feelings with dehumanized emotional expressions,novel images,metaphors,paradox and ambiguity.

关 键 词：多恩 《夜祷 作于圣露西节》 形式主义 陌生化 

分 类 号：I106.2[文学—世界文学]